About
One family, one works, nothing thrown away.
The Merrins made table knives on Tenter Lane from 1868 to 1979 and lived next door to the works. When Dorothy Merrin died in 2009, she left the house, everything in it and the works to a trust.

Bread knife
Merrin & Sons, Tenter Lane, 1931The kitchen, by the bread crockCost new: one and sixpenceKept, not collected.
Nobody in the family set out to make a collection. They were careful people in a careful street, and the house filled up over a century with the things a household needs: a jug for the yard tap, a bread knife from the works, a satchel passed down three times.
Dorothy, the last of them, never married and never moved. When the house was cleared it held 4,126 objects, almost all of them ordinary and almost all of them used until they couldn’t be. The trust she set up opened the works as a museum in 2014, with the house’s contents in the old workshops and the archive in the counting house.
- 4,126objects from one house
- 1868the year the works was built
- 61volunteers, most of them local
- 38,000visits last year
What we do.
Show it
Four galleries of the permanent collection, one changing exhibition, and labels written so that nobody needs a guidebook.
Keep it
The archive holds the works’ wage books, the family’s letters and Ada Merrin’s accounts, open to anyone by appointment.
Lend it
The spares go out on loan from the library of things, because a jam pan that never makes jam is only half an object.

The building
A cutlery works, still standing.
The Merrin Works is three storeys of red brick around a yard, with grinding hulls on the ground floor and the counting house over the arch. It was listed in 1995, the year after the last grinder left.
We kept what we could: the iron windows, the floorboards worn by the benches, the arch the carts came through. The lift and the heating are the only new things in it.
Who runs it.
Four staff, sixty-one volunteers and a board of trustees who live within a mile of the works.

Ruth Ashworth
Director
Came to count the cutlery in 2013 and stayed to open the museum.

Imran Siddiqui
Curator
Writes every label, and made Made to Mend.

Nell Carver
Archivist
Runs the reading room and the Saturday darning table.

Winston Hale
Library of things
Forty years a toolmaker; now he lends the tools out.